Arribert-Narce, F. and Watson, A. (eds.), Intermedial Encounters Between Image, Music and Text: With and Beyond Roland Barthes (Oxford: Peter Lang, 2023), 230 pp.
Watson, A. and Williams, L. (eds.) British Romanticism in Asia: The Reception, Translation, and Transformation of Romantic Literature in India and East Asia (Singapore: Palgrave Macmillan, 2019), 414 pp.
Watson, A., Romantic Marginality: Empire and Nation on the Margins of the Page (London: Routledge, 2012, hardcover; 2016, paperback), 202 pp.
Chao, S.-l., Clark, S., Connolly, T., Watson, A., Williams, L. (eds.) Asia-Pacific and Literature in English Series (Singapore: Palgrave Macmillan, 2019 - present).
Watson, A., ‘The Faith of the Faithless: Percy Bysshe Shelley's Notes for Queen Mab (1813)’ in Evy Varsamapoulou (ed.) Romantic Futures: Legacy, Prophecy, Temporality (New York: Routledge, 2023), pp. 129-147.
Watson, A., ‘The Perverse Footnote: Roland Barthes’ The Pleasure of the Text (1973) and the Politics of Paratextuality’ in Arribert-Narce, A., Endo, F. and Pawlikowska, K. (eds.) The Pleasure in/of the Text: About the Joys and Perversities of Reading (Oxford: Peter Lang, 2021), pp. 15-36.
Watson, A., ‘Strange Romanticism: Herman Melville’s Typee (1846), European Romantic Review, 35:1 (2024), 93-109.
Watson, A., ‘Developing students’ intercultural communication through digital collaborative seminars linking Japan and Australia’, Meiji University Asian Studies, 5 (2023), 71-91.
Watson, A., ‘Shadowing Shakespeare: Akira Kurosawa’s Kagemusha (1980) and William Shakespeare’s English History Plays (c. 1591-98)’, Critical Survey, 33.1 (2021), pp. 72-84.
Watson, A., ‘“The Garb of Fiction”: Edgar Allan Poe’s Notes for the Narrative of Arthur Gordon Pym of Nantucket (1838)', Review of Asian and Pacific Studies, 45 (2020), pp. 3-15.